Intellectual Property Magazine 59
www.intellectualpropertymagazine.com
May 2017
concluded that the designs were separable
and are not barred from copyright protection
under the useful article doctrine.
The court emphasised that the focus of the
separability inquiry is on the extracted design
features and not the aspects of the useful
article that remain after the design features
have been removed. The inquiry is not how
useful a plain white uniform is, once stripped
of stripes and chevrons, but instead, whether
the stripes and chevrons are copyrightable
unto themselves. In fact, the court indicated
that the useful article need not remain an
equally, or even fully, functioning article when
the design features are removed. It therefore
dismissed Star Athletica’s argument that,
without the stripes, zigzags and chevrons, the
cheerleading uniforms would not function as
such.
The Varsity Brands opinion has opened
the door for potentially stronger protection
for fashion and apparel designs. The court
acknowledged that certain aspects of fashion
designs, not just graphic artwork and textile
patterns, may be eligible for copyright
protection. However, the court also affirmed
that there is no copyright protection for the
shape, cut, and dimensions of apparel and
acknowledged that apparel designs must also
be sufficiently original to qualify for copyright
protection.
The decision provided some clarity on
the statutory interpretation and appropriate
test, but the test also appears to involve an
element of subjectivity that may still result
in unpredictable outcomes. As courts begin
to apply the test to more cases, the fashion
industry should get a better sense of the extent
to which copyright protection for fashion
designs has improved.
This case may increase the number of
copyright infringement claims that are brought
by fashion companies. Puma has already
cited the Varsity Brands ruling in its copyright
infringement claim against retailer Forever
21.
7
Consequently, the case may also increase
clearance and litigation costs for designers,
especially for ‘fast fashion’ and other business
models that take heavy inspiration from
market trends and third party designs.
Fashion brands and their lawyers should
consider adopting the following practices in
the wake of the court’s Varsity Brands decision:
• First, fashion brands should consider
applying for copyright registrations for
at least the most profitable or popular
designs, if it appears that such designs will
pass the new separability test. Copyright
registrations would afford several benefits
that would not be available under state or
common law, including the ability to file an
enforcement lawsuit in federal court, the
presumption of validity of the registration,
and the availability of statutory damages.
• Secondly, fashion brands should review their
design and product clearance processes to
ensure that potential copyright claims are
considered. This may include monitoring
competitors’ copyright filings, training
designers on inspiration versus infringement,
and documenting the creation process for
purposes of demonstrating independent
creation.
• Thirdly, fashion brands should monitor
competitors’ products and consider
conducting market sweeps to identify
copying of their “separable” designs.
Company employees can be trained to
recognise infringing designs and may be an
important source of leads.
• Finally, fashion brands and their advisors
should monitor the new cases applying the
Varsity Brands test for insight as to how it is
applied in a variety of factual settings.
Summary
As always, fashion brands should not rely
exclusively on copyright protection to prevent
knock-offs and copying. Due to the limitations
of intellectual property protection for fashion
designs, it is important to incorporate multiple
forms of legal protection.
A good intellectual property toolkit
will stitch together a patchwork of rights
tailored to the company, its products, and
its strategic priorities – including copyright in
separable designs, trade dress and trademarks
for distinctive, source-identifying features,
and design patent for certain shapes of or
ornaments on apparel. Although it is unlikely
that the Varsity Brands decision will have the
dramatic effect that a legislative change may
have made, it is an incremental step that
may strengthen one tool in fashion brands’
intellectual property toolkits.
Footnotes
1. See 17 USC § 101. The Copyright Act’s definition
of pictorial, graphic or sculptural works that are
eligible for copyright protection includes only the
design features of useful articles that are capable
of existing separately from the utilitarian aspects
of the article. For example, the artistic design
of a belt buckle would be eligible for copyright
protection only if the design can be separated
from the function of the buckle as such.
2. Various courts have developed a wide array of
tests to determine whether a design is separable
from the article of clothing unto which it is
applied, and the outcomes of cases applying
these tests have been inconsistent. For example,
the paws of a Halloween costume were found
to be separable by the Second Circuit in Chosun
International Inc v Chrisha Creations Ltd, 413
F 3d 324 (2d Cir 2005), applying a test that a
useful article as a whole cannot be copyrighted,
but the individual design elements of the article
may be copyrightable if they can be conceptually
separated from the useful article. Seven years
later, however, the same court applied this test in
Jovani Fashion, Ltd v Fiesta Fashions, 500 App’x
42 (2d Cir 2012) to find that the beaded designs
on prom dresses are not separable and therefore
not eligible for copyright protection.
3. Separability is not the only requirement for
copyright protection. Works eligible for protection
must be “original works of authorship” that
exist in a tangible form. In Varsity Brands, the
court was deciding the appropriate test for
separability, and not deciding whether Varsity
Brands’ designs meet all the other requirements
of copyrightability, including the requirement of
originality.
4. Varsity Brands et al v Star Athletica, No 10-
02508, 2014 WL 819422 (WD Tenn 2012).
5. Varsity Brands Inc et al v Star Athletica LLC, 799 F
3d 468 (6th Cir 2015).
6. Star Athletica LLC v Varsity Brands, Inc et al, 580
US ___, at 1-2 (2017).
7. PUMA SE v Forever 21, Inc CD Cal, No 2:17-cv-
02523, complaint filed 31 March 2017.
Authors
Megan Baca (top left)
is a partner in Ropes &
Gray’s IP transactions,
life sciences, and
technology, media &
telecommunications
practice groups.
Based in the firm’s
Silicon Valley office,
she advises public and private companies,
investors, and universities in strategic
transactions and licensing where
technology or IP assets are the key drivers.
Erica Han (top right) is a counsel in Ropes
& Gray’s IP transactions practice group in
Boston. She advises consumer branded
product companies in relation to global
brand strategy, trademark clearance and
prosecution, licensing, and resolution of
intellectual property disputes.
Jessica Alfano (bottom left) is an associate
in Ropes & Gray’s IP transactions and life
sciences groups in Boston. She advises
a wide range of public and private
companies in connection with a variety of
corporate, intellectual property and data
privacy matters.
Legal decision:
United States